Have you just started wedding photography? Do you find it difficult? If your reply is ‘no’, that’s good. But every novice photographer comes across some or the other difficulty and the commonest problem a wedding photographer comes across is about camera lenses like which are the best lenses for Nikon d750, which lenses are useless and which ones are the most useful, and so on. Here we would discuss about some of the problems regarding wedding portraits and lenses.
Wedding Portraits – Which Lenses to Choose
For every wedding photographer, a perfect portrait lens is a must.
Probably a new concept for those who have just started with the wedding photography and a more technical aspect of portrait photography is the significance of distance between camera and subject, and its relationship to your lens’s focal length. If you use a wide-angle lens and shoot the subject from close, the subject seems enormous in comparison to anything in their surroundings. The less the distance between the lens of the camera and the subject, the more blown up this deformation becomes. Sometimes this phenomenon is referred to as foreshortening and actually it can be made use of for some extremely cool creative effects.
However you can face a problem of this same effect appearing where you actually don’t want it. So, small modifications in your camera’s position too can change the general feel of your image.
In a scientific survey developed on this topic involved showing similar compositions but taken from different focal lengths to some reviewers. After checking each of the filled questionnaires, it was found that closer portraits provided a subtly more intimate and softer tone, while shots taken from a farther distance showed the subject as firm or stronger in nature.
There may be a sweet spot where images might appear most pleasant to the human eye. To sum it up, if you want to avoid unnecessary foreshortening and want natural looking perspectives of facial features or overall body, the best rule to follow is to shoot portraits from about 10 to 15 feet (3 to 4 meters). (But it should also be remembered that in photography, rules can also be bent a little to achieve a certain look that is beyond the norm.)
To acquire this, you should have a lens, for example the best Sony A7 lenses, having enough magnification to allow you to stand at least that distance away from the subject, but not very far so that you have to raise your voice for communication. For full frame cameras and 35mm film, 85mm is usually supposed to be the best portrait focal length. Due to the 1.6x crop that takes place with smaller sensor cameras, 50mm lens might be a small sensor equivalent. Of course, all this depends on the sort of portraiture being shot. More focal lengths, up to 200mm are best if you have room maneuver. Keep in mind that longer focal lengths in combination with wide apertures intensify the blurred backgrounds that finely isolate the subject from the diverting details in the background.
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